Dolphin
Synopsis
| The work is focused on a memory of a particular moment/video from my past; a family holiday when I was around fourteen playing in the sea with my brother on a boat named ‘Dolphin’. The work attempts to show the process of conscious remembering, the different flows and ways we as humans remember. And/or create memories based off photographs and videos. |
Personal archives have become commonplace, pervasive. This practice goes back further than the contemporary phone archive to an old digital video taken my mother on holiday in Scotland. The practice reworks, repeats and deconstructs the original to enact a digital process of conscious remembering. It is a future memory, a creation of something new and immaterial, and investigates what remembering is. For me memory is the connection of photographs and videos from my childhood, as opposed to a sense of place. |
Fraser Cornall
| Fraser Cornall is a Film-Artist, and PhD Candidate, researching structural/materialist experimental film and existential philosophy through personal film practice. His practice is concerned with low-fi digital technologies, repetition, structures and an investigation of digital materiality. |